There is no historical or geographical limit on what can be covered. There is no restriction on the style or genre of song or singing.
John Michael Cooper returns to Margaret Bonds and Edna St. Vincent Millay to discuss a song cycle about the rebirth of female identity.
John Michael Cooper celebrates the publication of Margaret Bonds’s settings of poems by Edna St. Vincent Millay
Rebecca Cypess connects the songs of Madame Brillon (1744–1824) to the ethereal timbre of her favorite instrument—her English square piano.