Linda Perhacs’s 3D Sound Sculpture
Women’s singing, in extremis, has frequently been associated with the non-verbal. Linda Perhacs’s “Parallelograms” (1970) is an example that is grounded in words.
There is no historical or geographical limit on what can be covered. There is no restriction on the style or genre of song or singing.
Women’s singing, in extremis, has frequently been associated with the non-verbal. Linda Perhacs’s “Parallelograms” (1970) is an example that is grounded in words.