The forum is managed by a collective of scholars, performers, and educators. It is conceived as a collaborative venture.

Marian Anderson

Our Team

Burford Mark

Mark
Burford

Reed College
Blog Curator

I am RP Wollenberg Professor of Music at Reed College, the author of Mahalia Jackson and the Black Gospel Field (2019) which won the Otto Kinkeldey Award from the American Musicological Society for outstanding book. I am also editor of the forthcoming Mahalia Jackson Reader, an anthology of writings on Jackson for Oxford University Press.

Grmusa Verica

Verica
Grmusa

University of London
Blog Curator

I am a classically trained soprano and a scholar interested in vocal performance. I have studied singing at the University of Belgrade Music Faculty and at Royal Academy of Music in London and performed extensively in opera and in concert. After earning a PhD at Goldsmiths, University of London in 2018, I founded The Art Song Platform, an ongoing forum for knowledge-exchange and the enhancement of performance as research in the genre of art song.

Fredara Mareva Hadley

Fredara
Mareva Hadley

The Juilliard School
Blog Curator

I am an ethnomusicology professor at The Juilliard School, having earned my PhD at Indiana University. I have published in the Journal of Popular Music Studies, Billboard Magazine, and other outlets. My research focuses on the musical impact of Historically Black Colleges and Universities and on Shirley Graham DuBois, one of the earliest Black women musicologists and opera composers.

Hershberger Monica

Monica
Hershberger

SUNY Geneseo
Blog Curator

I am a recent PhD from Harvard (2017) who studies the convergence of nationalism and feminism in mid-twentieth-century American opera. My book in progress is tentatively titled Feminist Transformations: Women in American Opera during the 1950s.

Kimber Marian Wilson

Marian Wilson
Kimber

University of Iowa
Blog Curator

My current research interests center on women’s music and women’s organizations. My publications have treated both well-known women composers, such as Fanny Hensel and Amy Beach, as well as women who are largely unknown. My recent book, The Elocutionists: Women, Music, and the Spoken Word (University of Illinois Press, 2017), explores the forgotten world of accompanied recitation, a women’s genre that I have been performing for several years as part of the duo, Red Vespa.

Loges Natasha

Natasha
Loges

Royal College of Music
Blog Curator

My interest in the music of women composers and singers is an important part of my two recent books, Musical Salon Culture in the Long Nineteenth Century (Boydell, 2019) and, with Laura Tunbridge, German Song Onstage: Lieder Performance in the Nineteenth and Early Twentieth Centuries (2020). I perform regularly as a song accompanist in London and broadcast on BBC Radio 3 and reviews for BBC Music Magazine.

Milius Emily

Emily
Milius

University of Oregon
Project Curator

I am currently working on my PhD in Music Theory at the University of Oregon. Some of my research interests include popular music, vocal timbre, and text/music analysis.

Carol Oja

Carol
Oja

Harvard University
Blog Curator

My books include Bernstein Meets Broadway: Collaborative Art in a Time of War (2014), which received the Music in American Culture Award from the American Musicological Society. Currently, I am in the process of writing Civil Rights in the Concert Hall: Marian Anderson and the Racial Desegregation of Classical Music.

Panizza Nicole

Nicole
Panizza

Coventry University
Blog Curator

A Fulbright award and Harvard research fellow recipient, I completed my postgraduate studies at the Royal College of Music (UK) in 2014. I explore the relationship of text and music in performances, publications, and initiatives that promote international engagement. I am the Artistic Director of The Panizza Dynasty Project, a creative partner of The International Centre for American Music (Florence, Italy) and am Assistant Professor of Music at Coventry University.

Perea Jessica

Jessica Bissett
Perea

UC Davis
Blog Curator

After receiving my PhD in musicology from UCLA, I was hired by the Department of Native American Studies at UC Davis. Among my areas of interest are Critical Native American and Indigenous studies approaches to music, sound, and performance; and Arts and activism in North Pacific and Circumpolar Arctic communities. My forthcoming book is Sound Relations: Native Ways of Doing Music History in Alaska (2021).

Rao Nancy

Nancy
Rao

Rutgers University
Blog Curator

My recent book, Chinatown Opera Theater in North America (2017), tells the story of iconic theater companies and the networks and migrations that made Chinese opera a part of North American cultures. It received the Music in American Culture Award from the American Musicological Society; the Lowens Book Award from the Society for American Music; and the Book Award in Humanities and Cultural Studies, from the Association for Asian American Studies.

Reynolds Christopher

Christopher
Reynolds

UC Davis
Project Curator

I am writing a biography of Carrie Jacobs Bond and am the donor of the Christopher A. Reynolds Collection of Women’s Song, 1800-1950, which is housed in Shields Library at UC Davis. It contains more than 5000 songs, letters, photos, and related ephemera. I am also curator of the database: “Women Song Composers: A Database of Songs Published in the United States and England, ca. 1890-1930.”

Rodgers Stephen

Stephen
Rodgers

University of Oregon
Blog Curator

I have long been interested in the relationship between music and poetry, particularly in the songs of Fanny Hensel and Clara Schumann. I have edited a collection of essays, The Songs of Fanny Hensel, which is forthcoming from Oxford University Press, and am currently writing a book about the songs of Clara Schumann.

Ros-Fabregas Emilio

Emilio
Ros-Fabregas

Institució Milà i Fontanals
Blog Curator

I am a researcher at the Spanish National Research Council (CSIC), Institució Milà i Fontanals, in Barcelona. I am now leading research projects that study the music of the Spanish Renaissance and Spanish folk music. Both document women’s singing. 

Schmid Caitlin

Caitlin
Schmid

St. Olaf College
Blog Curator

I earned my PhD from Harvard in 2019 and specialize in the politics of 1960s experimental music and performance art. From the AMS I received the Paul A. Pisk Prize for outstanding graduate student paper presented at the annual conference, for “Ice Music, Ice Cello, Iced Bodies: Reinterpreting Charlotte Moorman’s Avant-Garde (1972–2018).” I have previously blogged for NewMusicBox and Musicology Now.

Laurie Stras

Laurie
Stras

University of Southampton
Blog Curator

My interest in women’s voices has resulted in my books She’s So Fine: Reflections on Whiteness, Femininity, Adolescence and Class in 1960s Music (2010); and Women and Music in Sixteenth-Century Ferrara (2018), and my article “White Face, Black Voice: Race, Gender, and Region in the Music of the Boswell Sisters,” JSAM (2008). I also co-direct the early music ensemble Musica Secreta, which has nine acclaimed recordings, including Lucrezia Borgia’s Daughter, winner of the 2016 Noah Greenberg Award from the AMS. 

Tunbridge Laura

Laura
Tunbridge

Oxford University
Blog Curator

Issues of song, women, and women’s voices have engaged me since the beginning of my career. I am a founding member of the Oxford Song Network, and the author of The Song Cycle (2010), a history of the genre from the 19th to 21st centuries, and Singing in the Age of Anxiety: Lieder Performance in New York and London between the World Wars (2018).