There is no historical or geographical limit on what can be covered. There is no restriction on the style or genre of song or singing.
Rebecca Cypess connects the songs of Madame Brillon (1744–1824) to the ethereal timbre of her favorite instrument—her English square piano.
Darryl Taylor remembers his first teacher as someone who made sure he knew that singing was more than sounding good.
Kay Kaufman Shelemay praises Ethio-American vocalist, singer-songwriter, and composer, Meklit for philosophical and artistic explorations that are literally cosmic in their purview.
