Newly Restored Madrigals by Maddalena Casulana
The momentous recovery of the long-missing alto partbook of Maddalena Casulana’s five-voice madrigals in the Russian State Library makes possible their first recording.
There is no historical or geographical limit on what can be covered. There is no restriction on the style or genre of song or singing.
The momentous recovery of the long-missing alto partbook of Maddalena Casulana’s five-voice madrigals in the Russian State Library makes possible their first recording.
In this post we turn to “Dog Teeth” by Nicole Dollanganger and to “Gatekeeper” by Jessie Reyez. Content Warning: Discussion of rape and disturbing lyrics.
To commemorate the writings of W. E. B. Du Bois, Samuel Coleridge-Taylor turned to an unexpected source, Christina Rossetti, setting six of her poems for his Six Sorrow Songs.
By 1913 the “indecency” of modern popular songs could no longer be ignored. Members of the National Federation of Music Clubs tried to fight back.
Part II of a conversation with soprano Susan Narucki about her new album of art songs by early 20th-century women composers.
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In the decades before and after 1900, did it matter to women composers whether the poems they set were written by a man or a woman?
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The dramatic monologue “The Enchantress” was one of several works by Ljubica Marić celebrated in art and music at an event curated by pianist Jasmina Raković.
Here are eight beautiful works composed by women from Ukraine, many of them conducted and performed by women.